Het oog boven de put
Well explores India’s spiritual and economic condition, moving from the city to the countryside in the region of Kerala as it focuses on the essence of that civilization. Captured without commentary by his gliding camera are a cacophony of distinctly nonwestern sights and sounds: the bustling city streets, the serene landscapes of the surrounding countryside, a family preparing for dinner, an elderly actor performing his mythological drama, a modest country moneylender traveling from village to village, young girls at their singing lessons. What emerges from these encounters is not only a highly evocative sense of lived experience but a poetic vision perhaps best captured by what Cahiers du cinéma called “the aesthetic of diversity.” (Harvard Film Archive)
The film awakens a willingness to engage with the culture of India. Despite the film's fascination with the strange and beyond all the social tensions of a "third world country", it preserves respect and human dignity in its approach. In its honest way of reflecting on what it sees, the film enables a willingness to observe without claiming that the West's way of seeing is the standard for the joy of life and the future of a common world. We consider the restraint exercised in the film to be exemplary for approaching realities that are not readily accessible to us.