20th CineFest - International Film Festival Miskolc

06.09.2024 to 14.09.2024
Miskolc

© CineFest Miskolc

 

The Norwegian film "Elskling" (Loveable, 2024), directed by Lilja Ingolfsdottir, won the Prize of the Ecumenical Jury in Miskolc 2024. It was also awarded with the Emeric Pressburger Prize, the main award of the festival, and with the Prize of the International Confederation of Arthouse Cinemas. The Adolph Zukor Prize, the festival's Grand Prix, went to "Dídi", directed by Sean Wang (USA, 2024). The jury of the Federation of International Film Critics (Fipresci) awarded its Prize to "Január 2", directed by Zsófia Szilágyi (Italy, 2024).

On September 6, the 20th CineFest opened with the Norwegian film "The Arctic Convoy" by Henrik Martin Dahlsbakken which relates to the support of the Soviet Union by the Western Allies at the beginning of the German invasion in 1942. The film is part of the long feature films competition which comprises 16 entries in the anniversary year, from which the Ecumenical Jury will choose its winner. The festival offers additional competition sections like Cinedocs (for documentaries), East of Europe (for Eastern European films), and CineNewWave (for short and animation films by young Hungarian filmmakers).

Link: Homepage of the Festival

Awards

Loveable
Directed by:
2024

This family drama begins as an enchantment, but a few years later the family gradually cracks, and the mother, Maria, through whom the problems arrive, doesn’t understand why. She clashes with her husband, children and her mother. Everyone is guilty. We follow her in a painful path from her guilt and fears to her attempt to self- knowledge and the realization of unconscious patterns in herself. It is after a long personal journey and a help of a psychologist that resilience comes, and she discovers the possibility of faith, hope and love in her life. Loveable also addresses the themes of equality and femininity. The film’s fragmented narrative is in perfect harmony with its themes. The playful use of montage and the non-linear storytelling makes it not only a deep human study, but also a remarkable piece of contemporary cinema.