Aktuelles

Perhaps the cinema is the ideal place to present questions of fluid identity. In current debates, linguistic sensitivity for particular identities is demanded under the label 'gender-appropriate language'. On the other hand, in 'liquid modernity' (Zygmunt Bauman), gender-specific boundaries are being abolished.

In his reporting from Cannes, Peter Paul Huth writes about Sean Baker's "Anora" and Kirill Serebrennikov's "Limonov: The Ballad".

Peter Paul Huth looks at the films of George Miller, Francis Ford Coppola and Ali Abbasi in his coverage of the Cannes Film Festival 2024.

The first few days in Cannes saw a promising start to the festival with impressive female protagonists, according to Peter Paul Huth in his opening report on Cannes 2024.

35 short films were on the varied programme of this year's children's and youth competition in Oberhausen and attempted to arouse the interest of young viewers with different themes, film techniques and genres. Theresia Merz presents the broad spectrum of films shown, categorised by age groups.

Film directors Satu Majava and Joel Tainio have won the Church Media Foundation Award with their film «Do No Harm». The documentary was awarded in the domestic competition of the Tampere Film Festival 2024.

"Sisterhood" by French-Moroccan director Nora El Hourch gets prize money of 100.000 SEK.

In his report about the Forum section of the Berlinale 2024 Karsten Visarius focusses on documentaries as Romuald Karmakar's "The Invisible Zoo" and Alexander Horwath's "Henry Fonda for President", mentioning a number of outstanding feature films as well.

The Berlinale is more political than Cannes or Venice. Many of the films dealt with the war in Ukraine, the Palestinian question, oppression in Iran, young men going off to fight the jihad, and Iranian and Syrian refugees. Jacques Champeaux, INTERFILM member and member of the ecumenical jury in Berlin 2024, reports about the festival.

Peter Paul Huth reports on the closing of the Berlinale 2024.