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Kiew

Au 50ème Festival International du  Film « Molodist » de Kiev 2021, le Jury œcuménique a décerné des prix dans trois catégories. Le prix pour la Compétition internationale des longs-métrages a été décerné à After Love (Après l’amour), de Aleem Khan (Royaume-Uni, 2020). Dans la nuit de Kamila Tarabura (Pologne, 2020) a reçu le prix du meilleur court-métrage, et Parole de Vojtech Novotny (République Tchèque, 2020) a été récompensé comme le meilleur film d’étudiant.

Le Grand Prix de l’édition anniversaire du festival est allé à Becoming Mona, réalisé par Sabine Lubbe Bakker et Niels van Koevorden (Pays-Bas, 2020). Celts réalisé par Milica Tomovic a reçu le Prix de la réalisation.

Le  50ème Festival International du  Film « Molodist » s’est ouvert  le 29 mai avec le film ukrainien Babylon XX qui avait remporté le Grand Prix du festival en  1979. Le festival s’est déroulé sous une forme hybride, i.e. en partie en ligne et en partie en présentiel. Outre la Compétition internationale, se déroulaient la Compétition  nationale et la Compétition des documentaires ainsi que, sélection particulière du festival, la Compétition « Sunny Bunny » sur les thèmes  LGBT. D’autres sections étaient « Forma » avec des films expérimentaux et innovants ou la rétrospective « Century ». Le Jury œcuménique a visionné les films en ligne.

Link: Homepage of the festival

[video:https://youtu.be/I8kV1mOGUD0]

2020

This dynamic and complex story about a universal issue of the hard time one usually goes through as a teenager invokes contemplations about standing up for one’s true nature. We observe the main character’s evolution from pursuing a strong confrontation with the world, particularly with her mother and classmates, to breaking free through a spontaneous uncommon situation as she follows her impulses and makes friends with a girl who is her total opposite. The skilfully set sequence of events builds up a hopeful vibe as the characters embrace their own and each other’s personalities, release their emotions, and acknowledge their inner struggles. As the film focuses on identity it suggests that one can overcome external circumstances that oppress their free will and self-expression. The optimistic message accomplishes the artistic quality of the film and the well-developed inner conflict of the protagonist.

2020

This powerful story with a strong script and visuals touches the deepest strings of the viewer’s soul by promoting acceptance and non-attachment to pain through embracing one’s life regardless of the situation one ended up in, like the main character of the film did. Metaphoric use of nature is skilfully incorporated to reflect and foster the inner conflict of the protagonist as she follows her instinct and decides to address her sorrows rather than freeze them and let them ruin her from inside. She abandons jealousy for the good of understanding; she abandons a need to possess for the good of sharing; she abandons her grief for the good of moving on in life. The film advocates for mutual forgiveness and understanding, as both outer and inner conflicts bring the main characters to the reconciliation with each other, with the late husband/lover/father and with themselves. The topic of reconciliation regardless of diversity is crucial in the modern turbulent world, where humankind suffers devastating conflicts.

2020

This gripping and highly emotional story about a challenge to embrace inner combats resonates very well with the audience. The inner conflict of the protagonist, who is his own antagonist at the same time, is in the center of a well-developed plot. The viewer follows the young man along the path to understand his inner struggle, which appears to be the source of his outer violence. The well-acted tension builds up as the main character, devastated by his coming of age strife, is challenged by his friends and his mother, and thus raises the issue of the crucial role these intimate relationships usually play in development of a person. As the powerful final scene gives hope for reconciliation, after the young protagonist has been pushed to frightful extremes, the message of the film is the importance of self-relationship and embracing one’s inner clashes, no matter what their outer reasons are.

Jury

Présidente

Recherche de film